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This typeface was initially commissioned by GQ magazine, whose editors wanted a “geometric structure” that would look masculine, new and fresh. Gotham is a family of geometric sans-serif digital typefaces published in 2000. Gil Sans is the most narrow typeface on our list and is useful if you are pinched for horizontal space or using a 4:3 screen aspect ratio. Other exciting variations of this typeface include Gill Sans Condensed and Gill Sans Extra Bold. The lowercase letters were modeled from Carolingian script and this influence is noticed in the lowercase “a” and “g”. Gill Sans has similar characteristics as the typeface Futura, but has less of a geometric, mechanical feel. The uppercase letters of Gill Sans are modeled on the monumental Roman capitals and hold lovely broad standing symmetrical forms. It was initially designed in 1926 and later released in 1928. Gill Sans is another beautifully formed typeface much like Myriad Pro. Other fonts to try are Lucida Casual and Lucida Sans for various other design applications. Try this typeface if you are looking to increase text readability. Its form is unique with straight lines, thick line-weights and minimal creative flare that makes this typeface have a “computer terminal” feel.
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This typeface is used throughout the Mac OS X user interface since 1999. Lucida Grande is another humanist sans-serif typeface that is a version of the Lucida Sans extended character set that was published in 1985. Try using Myriad Condensed if pressed for horizontal space or Frutiger for a similar typeface alternative.
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Myriad Pro has a clean feel with beautifully rounded curves, nicely proportioned line-weights and unique characteristics like the “y” descender and slanting “e” cut. The typeface is best known for it’s usage by Apple. Myriad Pro is a humanist sans-serif typeface designed for Adobe Systems and published in 2000. If you are looking to boost the visibility of your text try using Century Gothic Bold instead. This geometric sans-serif typeface has nice rounded letter forms and a crisp, clean feel.

Its characteristics include even stroke widths, thin stroke widths, large x-height, single-story lower case “a” and “g” and wide letters. Century GothicĬentury Gothic was published in 1991 and is a digital typeface. Two of the main differences can are the capital “G” and “R”.

The differences between Helvetica and Arial are very subtle, and only a true typeface guru would be able to point out all the minute difference to you.

Other Arial variations to experiment with are Arial Rounded, Arial Redux, and Arial Bold. This typeface is perfect when you want a plain font that holds little emotion. It’s shape and form nearly match those of Helvetica, but it has more rounded edges, softer and fuller curves and the contours are more open. Over half a century later it is still a purposeful font that is in advertising, street signs, and print.Īrial was published in 1982 and was designed as a generic sans-serif typeface that is exceptionally versatile. It was designed to be a neutral typeface with excellent clarity, no intrinsic meaning and used in a wide variety of signage.

Helvetica is a widely used sans-serif typeface that was published in 1957.
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Download CMG Sansīackground From The January 2018 CMG Pack Since this post was originally published, we have created our own custom font to take the guesswork out of choosing a typeface for your worship slides.ĬMG Sans was specially designed for church screens by combining the best qualities of the most popular typefaces for lyric projection. We hope that this list will provide you with a better understanding of these fonts and will help you make better typeface selections for worship slides in the future.
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We wanted to introduce you to the most popular typefaces that churches are using, plus give a brief description of their history and critical properties. You have many typefaces (fonts) to choose from when projecting lyrics during your church service, youth group or worship concert.
